Published by Chicago Tribune
'Green' revolution comes to inner city
City, state officials support endeavor
By Blair Kamin
Tribune architecture critic
Published May 14, 2006
Say the words "green
architecture" and certain high-profile projects come to mind.
Think of the "green roof" at City Hall, 6 years old. There,
far above the heads of the power brokers, a profusion of
shrubs, vines, flowers and grasses creates a cooler,
better-looking surface than heat-grabbing asphalt. The scene
gives new meaning to the color green at a building where it
long has been associated with unmarked bills stuffed into
envelopes.
Now, a new crop of environmentally sensitive
designs is showing that the benefits of green architecture can
-- and should -- be spread to impoverished areas far outside
the Loop.
This "inner-city green" represents the latest
frontier in Mayor Richard M. Daley's effort to bring the
benefits of green design to Chicago. Backed by financial
support from the city and state, the trend deserves
celebrating, not just socially but architecturally, because
these projects reveal that true green architecture consists of
much more than a green roof dropped on a building like a piece
of lettuce atop a hamburger.
Sapping energy
This
matters in a world where we fixate on the pollution caused by
cars and trucks when, in reality, according to the Washington,
D.C.-based American Institute of Architects, the biggest
source of emissions and energy consumption is buildings -- the
energy it takes to make building materials and transport them,
as well as energy required to operate them. If we want to make
a more sustainable world, buildings are the place to start, as
two recently completed projects show.
The first is the
Bethel Center, a retail, day-care and employment center in the
Garfield Park area on the West Side. The second is Wentworth
Commons, an apartment building in the Far South Side Roseland
area for people who were homeless or at risk of being
homeless. Both sit along streets where the curbs are strewn
with garbage. Boarded-up storefronts and vacant lots loom
nearby.
Into these grim surroundings, the buildings
inject much-needed optimism, recalling the ideals of the early
20th Century modernists for whom architecture was an agent of
social change, not just an aesthetic of
steel-and-glass.
The most visible sign of their green
architecture comes in the solar panels that are deftly
integrated into their designs, a welcome contrast from the
solar panels that were slapped onto roofs in the
energy-conscious 1970s. At Bethel Center, the solar panels and
their supporting brackets play the visual role of an
old-fashioned roofline cornice, nicely capping the building
and carrying the eye down the street. At Wentworth Commons,
the panels and their supporting trusses are cleverly placed
atop the roof to form a dramatic crown for the building's
exuberant exterior.
Yet there is much more to the green
architecture of these buildings than their roofscapes,
particularly at the $4.5 million Bethel Center, which was
co-developed by Matanky Realty Group and Bethel New Life, the
Chicago non-profit that has ministered to the beleaguered West
Side since the area was devastated by riots in the late 1960s.
The chief designer was Kevin Pierce of Farr Associates
architects, one of the city's leading green firms.
At
Bethel, the green design begins with the building's location
-- at Pulaski Road and Lake Street, next to the Pulaski
station on the CTA's Green Line elevated tracks. Even if the
Bethel Center had no green features visible to the eye, it
would save energy because it encourages people to use transit.
Parents on their way to work can drop their kids off at the
day-care center, for example, and walk across a glass-enclosed
sky bridge that leads to the CTA station. The broader lesson:
A building doesn't have to look green to be green.
The
two-story building itself represents a well-conceived
modernization of traditional commercial architecture.
Projecting aluminum fins, or light shelves, join with the
roofline solar panels to shield the interior from harsh
sunlight. Red- and brown-brick exterior walls peel back to
reveal the building's insulating concrete and foam inner
walls.
The combined effect of these details is a
building that stylishly proclaims how it saves energy. The
design at once revives the traditional city of block-filling
buildings and delivers a forward-looking jolt.
There
also is much to celebrate at the $13.2 million Wentworth
Commons, which rises at 111th Street and Wentworth Avenue and
was developed by Lakefront Supportive Housing, now Mercy
Housing Lakefront. The development has 51 units, ranging from
single-room apartments to multibedroom apartments for
families. But it does not look anything like an old-fashioned
housing project.
The chief designer, Susan King, of the
Chicago office of Detroit-based Harley Ellis Devereaux, broke
the facade into playful, earth-toned blocks of brick and
glazed concrete that have the innocence of children's building
blocks. The design, which suggests individual homes instead of
a monolithic mass, stops just short of being
cartoonish.
The crowning touch, literally, comes on the
roof.
Instead of concealing the solar panels and their
supporting steel trusses, King revealed them and arranged them
to complement the building's architecture. Set along the
perimeter, their raking diagonal profile endows the four-story
building with a strong, rhythmic top and subtly suggests a
traditional roof gable, as if to say: "Home Sweet,
Energy-Saving, Home."
Surely it's no coincidence that
the solar panels top the bright green sections of the facade
along Wentworth Avenue. The only troubling sign are the water
stains that mar some of the masonry blocks. But contractors
are supposed to fix them.
Fortunately, the beauty at
Wentworth Commons and the Bethel Center is much more than skin
deep.
Sanctuaries
Each interior boasts a long
list of green elements, such as wall paints that reduce the
amount of environmental toxins typically emitted into the air.
As a result, they are likely to meet the U.S. Green Building
Council's Leadership in Energy and Environmental Design (LEED)
sustainable design standards, which are green architecture's
equivalent of the Good Housekeeping seal of approval. But that
is really only half the measure of their
effectiveness.
Each building, in its own way, forms a
kind of sanctuary from the city's hurly-burly, with green
design elements accentuating the architecture's soothing
presence. At the Bethel Center, an enormous skylight draws
natural light into the stairwell of the building's two-level
day-care center. Ringed by classrooms, the stairwell feels
like a protected inner courtyard. As they take their afternoon
naps, covered in blankets, children from the ages of 3 to 5
sleep in a setting that is remarkably quiet compared to the
noise of the cars and trucks rumbling by
outside.
Edward Ward, 13, enjoys the same quiet when he
goes to sleep each night at Wentworth Commons. At his old
house, he said, "gunshots would wake us up
sometimes."
These are small buildings -- good ones, not
great ones -- but they nonetheless point in a progressive
direction, one where green architecture endeavors to address
the health and well-being of the people it serves, their
neighborhoods and the culture as a whole.
True, the
green elements at Wentworth Commons added about $1 million to
the budget and are estimated to save only about $20,000 to
$25,000 a year in energy costs. A hardheaded for-profit
developer would surely reject such added "first costs," but
idealistic non-profit groups, especially those that get a
financial boost from the city and state, are far more willing
to give a green light to green architecture.
"If nobody
does it, it's never going to happen," says Robert Banta,
regional director of property operations for Mercy Housing
Lakefront. "Every time somebody steps up and incorporates
these kind of energy savings in a building, the next person
that does it is able to do it a little cheaper than before.
It's like any other new technology. The more it's used, the
cheaper it
gets."
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bkamin@tribune.com
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